MEMORY NARRATIVES: FRAGMENTS THAT TO TRANSIT IN THE SELF AND IN THE OTHER IN THE EXPERIENCE OF THEATER

Abstract

The research work is a investigative about fragments of what was lived, yet that we don’t know talk about the memory subjectivity and complexities, an memory narrative to be in our mind how one photography, performative writing, drawing, reports, testimony and something about documentary value. The objective of research was investigative all that fragments as one new form of make one narrative for theatre, has how support bibliography reference in Halbwachs (1990), Duque-Estrada (2009), Leite (2020) and Soler (2010), against this the work is divided in three parts to intercalate in one introduction of analysis documental of fragments memory, the work in process of performative writing, diary images, testimony and video-performative. The theatre is only an space of experience of that writings narrative, genres of writing, images, performative body, of our writing and all this there is one relationship with our social practice of writer to be expositive, debated and shared in the theatre. Find about a view of what was expositive is necessary followed with concern about narrative, where one person could be one narrative in the self in the other there be expositive and shared in the process human interative.