[1]
G. B. Mota, “THE TEXTUAL GENRE OF SONG AND THE SEMIOLINGUISTICS OF DISCOURSE: IMAGINARIES OF RESISTANCE AND PASSIVITY IN ‘CAROLINA’ (1967)”, REASE, vol. 12, no. 3, pp. 1–15, Mar. 2026, doi: 10.51891/rease.v12i3.25016.